Hidemi’s Rambling by Hidemi Woods

Singer, Songwriter and Author from Kyoto, Japan.

The Insufficient Child hr644

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I was a nine-year-old child living in Kyoto when I was hospitalized for nephritis. In my room for six patients of the children’s ward, a girl named Ayumi also suffered from nephritis and was next to my bed. She was so little, probably three or four years old, that her mother was allowed to stay in the ward on the makeshift couch beside her bed.
Ayumi’s mother studiously read thick medical books everyday to study kidney disease for Ayumi’s recovery while looking after Ayumi. She would ask millions of questions to an intern nurse and learned from her by taking detailed notes. For Ayumi’s medication, she went to get wafer papers and would divide a dose of powdered medicine into a couple of small wrapped doses three times a day so that Ayumi took it easily.
Next to her bed, I was struggling to swallow powdered medicine though I was nine, and often coughed up and blew powder all over my bed. My mother was hardly around. She visited me barely a few minutes before the visiting time was over and left immediately. She blamed her dash visit for her busy work as a farmer, but I doubted she cared. Looking at what Ayumi’s mother was doing for her, I was stunned by the difference between her mother and mine. Mine had never been attentive like hers even when I was a small child as far as I remembered.
The worst part of my hospitalized days was loneliness and hospital meals. As a nephritis patient, I was banned from taking in salt. My meals are salt-free and with minimum seasoning. I felt like eating sponge three times a day. The volume wasn’t enough either for me who was chubby. Because I persistently complained about the meals to my mother during the short visit, she brought me potato chips. Since potato chips were deemed as the biggest taboo for nephritis, she told me to hide under the bed and move the contents from its flashy package into a plastic bag. She continued to bring other salty snacks and I made a bag of my best mix under my bed. I was strolling about the hallway, carrying the plastic bag of snacks in one hand, munching in my mouth. In case I passed someone, I stopped munching and hid the bag behind my back. But one afternoon, Ayumi’s mother caught me. She asked me to show her the plastic bag. As I did, she said somewhat sadly, “It contains everything you can’t have.” I ignored her caution and kept snacking on what my mother brought. My mother urged me to hide under my bed and let me eat a can of corned beef with a big topping of mayonnaise there. As a result, I stayed chubby in the hospital despite the controlled healthy meals.
One day, a younger girl who had been annoying all the time next to my bed on the opposite side of Ayumi enraged me. I was bashing her with a coloring book while yelling the biggest taboo word in the hospital this time, “Die! Die! Die!”, with full force. Impatient at my unprincipled behavior, Ayumi’s mother raised her voice toward me, “That’s enough, Hidemi! Clean up your act, already!” I thought she was a carping critic because I hadn’t realized evilness of my mother yet back then and had been such a nasty child who had totally accepted my mother’s bad influence.
Ayumi’s father came to visit her on his day off. I was taking powdered medicine on my bed that I had gotten used to swallowing without problems by then. He said to me smiling, “You have gotten the knack of it and no longer choked. Good for you!” I wondered how he had known that as I had rarely seen him here.
A family of caring. Not that I was familiar with.

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Nothing But Leaves My Carrot Gives hr643

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When I was nine years old, I suffered from a kidney disease called nephritis. I skipped school and stayed in bed at home for a week as I felt sick and had a fever every day. It had gotten so worse that I vomited blood one night and passed out. My mother found it next morning and called in a neighbor who worked as a nurse. She urged my mother to take me to the local clinic which doctor in turn urged her to get me examined at the hospital. As a result, I was hospitalized for nephritis.
As it was when I lived in a small village of Kyoto, Japan, no one in my family knew what nephritis was. My mother rummaged out a supplement of a homemaking magazine that featured medical issues. It had charts of disease that showed a result according to symptoms by following the arrows to correspond applicable symptoms. I chose the arrows of my symptoms and ended up the result of ‘death’. No matter how many times and how many different patterns I tried, the bottom of the chart concluded with a word ‘death’. “Does it mean I’ll die of this disease in any case?” My mother and I asked the same question to each other and closed the booklet.
My hospitalized days in a shared room of six patients at the children’s ward began. As a nephritis patient, I didn’t have freedom of flushing the toilet. Urine had to be kept in a glass jar each time to be examined. Its amount and color told a condition of a patient. Other patients’ jars were put on the shelves along with mine. Compared to others’, mine was less and darker. I was afraid if my condition was so bad. Because I didn’t want to admit it and didn’t want doctors and nurses to find it either, I tried to cheat. Into a one-time jar, I urinated twice so that at least my amount seemed normal. It had escalated gradually and I urinated the whole day into one jar. Ironically, the abnormally large amount of urine drew an alarming attention of a nurse who thought my illness had taken an inexplicable turn for the worse. It worked directly opposite to what I had intended and I confessed my cheating helter-skelter.
My six-patient room wasn’t usually lonesome as we were kids and some of their parents were allowed to stay with them on the couches next to their beds. But some got permission to go home for the night provisionally, some got well and left the hospital, some got worse and moved to a single room, all of which coincided at the same time and the room was almost empty one night. A girl whose bed was on the opposite side of mine and I were only patients in the room. After the lights-out time, she asked in the darkness if I was still awake. As I answered yes, she started telling me a story that she made. I thought she felt lonely and couldn’t sleep because the room was too quiet that night with just two of us. Her story was about two rabbits. They seeded, watered and grew carrots at each section in the field. The night before the harvest, one of the two rabbits sneaked in the field and pulled out all the carrots from the other rabbit’s section. He ate them all and put leaves back on each hole to cover it. Next morning, two rabbits came up to the field and started to harvest their carrots on their each section. The other rabbit, who knew nothing about the night before, was excited to reap his carrots since he had been looking forward to this day for long. But every time he pulled out his carrot, there was nothing beyond the leaves. He was puzzled and sang, “Nothing but leaves my carrot gives!” While his friend rabbit was pulling out a ripe carrot one after another next to his section, he pulled out only leaves out of a hole repeatedly and sang each time, “Nothing but leaves my carrot gives!” I dozed off and woke up by the girl’s voice of “Hidemi, are you listening?” a few times during the story. Unfortunately, my patience didn’t last until the end. I had been completely asleep at that part of the story and didn’t get the ending. With hindsight, her story may not be her original but something she read or heard since it ‘s too good for a story that a small child makes. Either way, I still remember the story for some reason. When my song didn’t sell at all although I had spent many years to complete it, I heard “Nothing but leaves my carrot gives!” from somewhere.
One day, we had a new comer in the six-patient room. Although she was a junior high school student and wasn’t supposed to be in the children’s ward, she was sent here because the women’s ward was full. She was unhappy to be confined with kids and complained to her mother and the nurses. She looked a grown-up to me and I liked her instantly. I went to her bed to talk to her and tried to console her. I had been stuck to her bedside every day since. She often told me not to make her laugh because her wound from an appendix operation hurt. She laughed at my talks anyway. When she left the hospital, she gave me a gift. It was a small porcelain doll who was wearing a white bouffant skirt beneath which was a bell. On the skirt, there was a printed inscription saying, “I wish for your happiness.” I had put her on the shelves in my room long after I left the hospital, until I grew up and left home.
I think those hospital days have influenced me immensely. I had been constantly aware of death in those days. I got well after all but I had never felt death so close to me in my life. As it’s said that people don’t live life unless they understand death, that experience has driven me to think things based on the idea that I eventually die, and therefore to do what I want for my life. Even if my carrot gives nothing but leaves.

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The Dream Super Express hr642

I was born and grew up in a small village of Kyoto, Japan. My family made a living by farming, which contributed to my even more old-fashioned childhood than usual that was nothing like a current ordinary life.
Food on the table was almost self-sufficient that came form our fields or the front yard and the chicken coops of the house. We had only one tiny refrigerator without a freezer that was more than enough as beer or watermelons were chilled by pumping well water. The bathtub was round and made of wood. Its floor was a round iron plate on which a round wooden board was put in to sit. Beneath the iron plate was a small furnace that my grandmother put wood, straw or used paper in the fire to heat water in the bathtub. Our toilet was a wooden bucket placed in the garage. My grandfather would carry it on a wooden pole to our fields as manure. Not only the way of living was old-fashioned, but also the way of thinking was. All the family members obeyed submissively my grandfather who was a patriarch of my family. Women were deemed to be inferior to men and treated unfairly. Families were giving and receiving them through marriage as if they were commodities.
But the changes of the world can’t be stopped. In the year I was born, a bullet train started running between two major cities in Japan, Tokyo and Osaka. It was dubbed ‘a dream super express’ because of a high speed. The city of Kyoto where I lived was close to Osaka and on the line of the bullet train. A new special railroad and its platforms were built above the existing ones. The railway near my home accordingly had the new overhead railroad above it. When I was an elementary school student, I crossed the local train railroad and the big, tall, splendid bullet train railroad by an underpass beneath the tracks on my way to school on foot every day. In the middle of the passage, when a local train or a freight train passed above my head, I would cringe at an enormously thunderous noise. But the bullet train sounded like a whistling wind, almost soothing.


The number of children had been increasing as the economy was picking up. The elementary school I went to burst with students and a new school was built when I was in the fifth grade. I was sent to the new one that stood right next to the railroad. Out of the windows, the bullet train was running. From a brand new school building, I had never get bored to see the bullet train zipping past at incredibly high speed through the countryside where time went by so slowly. Thanks to the bullet train, my new school had the air conditioner since the building had soundproofing windows that can’t be opened because of train noises. My former four years in the old school with wooden buildings and coal stoves were felt like ancient.
I loved the bullet train so much. To me, it seemed alive with a soul like Thomas the Tank Engine as its headlights looked like eyes and its coupler cover looked like a nose. Since I had difficulty in getting along with others back then, I felt more attached and closer to the bullet train than other human beings. Every time I saw it passing by, I sensed it glanced at me and was running toward the future, carrying hope and dreams. Years later, I left home of an old village and moved to Tokyo by bullet train to become a musician.
Sometimes there is a day when we feel that this world has come to an impasse and been headed just for destruction. But if we adapt ourselves to new ways of living or thinking, we may be able to see more of something bright and exciting. In 2027, Japan is going to have a new railway on which magnetic levitation bullet trains called Linear Bullet Trains run at the highest speed of 320 miles per hour. I wonder how their faces look like. I can’t wait to see them.

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Early 80s – The Beginning of My Music Career hr641

I started to think about becoming a singer-songwriter in the beginning of 1980’s when I still lived in my hometown of Japan where I was born and grew up. By the end of the first month as a college student, I had lost interest in a college life since I didn’t care about getting a degree or being hired by a renowned company after graduation. A college had turned into an unnecessary place for me because of music. Only I tried to follow the footsteps of a Japanese band that I had admired most. Before they became professional, they started their careers by forming bands at universities and colleges where they were enrolled. I tried to do the same. As I had easily known, I found nobody in my college all of which students were women and most of which students attended as preparations for homemaking and marrying a doctor. I searched other universities for band members, for which I used my otherwise wasteful college life.
At that time, PCs or smartphones were yet to come. Even CDs didn’t exist. To listen to music, you needed to buy a record, put it on a turn table of a stereo carefully and gingerly not to scar the record surface, put down a record needle softly onto the start groove, and wait for music to begin while watching the record turning fast. The moment music started, the space shifted in a flash from where you had been. That was the essence I used to feel with a record. The sound of an analog record is different from the digitalized CD’s one. I feel the former round and deep that vibrates and seeps into the heart. Both Western and Japanese rock music I had listened to back then conveyed something to inspire like a struggle for life or for freedom. I’ve seen quite a few people whose life was actually changed by music.

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A record has been given way to a CD, and then to download and streaming. On the making side, recording on a tape by physical instruments has turned more and more into entering data on a computer by software. The sound has become mechanical with copying and pasting. Having an impact is valued more than being dramatic. I hadn’t the slightest idea this kind of music scene would arrive in the future when I lived the beginning of 80’s. I simply had believed that music could change the world and save someone by healing a sore heart just as it did to me. While the music scene did change, my belief remains unchanged. I’ve been striving to make music by taking advantage of the digital side into inspiring songs.

Back in the eighties, I was trying to form a band to have my songs heard as soon as I started a college. I came across a bulletin board of a band circle at one university that was recruiting new members. I went to the meeting where many freshmen gathered. The circle leaders were matching a new member to an existent band according to which part the new comer played and which part the band needed. Because I intended to join a professional-aiming, high-grade band, I pitched earnestly my skills of writing songs, singing, playing the keyboard and the guitar, and most especially, my passion for music. The person who interviewed me said outright that there was no available band for me to join. While I was preparing to leave, I noticed that other freshmen got assigned to a band one after another. They all said they had no skills or had never played an instrument, except that they all were cute and had a flirty smile. Again, my passionate, serious attitude backfired there too, as if it foretold my subsequent music career. I learned that bands at Japanese universities and colleges in 80’s were for those who just wanted to enjoy a campus life not for those who sought a music career.
I was excluded from campus musicians and couldn’t use my college life for member hunting. As a college has become useless to me more than ever, I was sent outside the campus to look for a member in the real world.

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What Wild Animals Try to Tell Us hr640

When the snow still lay six feet deep, my partner suddenly spotted something and pointed it with a surprise out of the dining room window in our apartment during lunch. In the direction of his pointing, I saw a Japanese serow on the snow-covered ground under a tree in the grove about 30 feet away from the building.

I had never seen a Japanese serow in the residential area. Or should I rather say, I had never seen it for real altogether. It had a face like a goat and its body looked rather like a calf than a serow, covered with light brown and gray fur. I wondered why just looking at a wild animal was somehow awe-inspiring. I took my binoculars and observed it closely.
The Japanese serow was standing on its hind legs and holding on to the trunk with its forelegs. It seemed to eat the tree bark or something on the trunk. Every time a car pulled into the parking lot stretched out between the grove and the apartment building, it hid behind the tree and peeked out the lot. After people were gone, it resumed eating.
In the beginning of this winter, my partner bumped into a boar for the first time on the foot of a mountain beside the street he was walking on. The boar was staring at him at a distance of 60 feet. Its size was about a calf and with black fur and a pig-like face. He was afraid and turned back. It was the right choice since I had heard about quite a few incidents that a boar rushed into and injured people or bit them in Japan this year, which hadn’t happened so often before. Considering that much more bears than before appeared in my town last autumn, wild animals have come down to the residential area around this year far more than they used to.
It’s said that has to do with climate change. Wild animals aren’t the only ones that have been sent out of the depths of mountains. Judging from the present situation, unknown viruses that are new to human beings and stay where they’re supposed to be may continue to come out as well.
Twilight drew near and the spots in the parking lot of my apartment building were being filled up as commuters’ cars came back one after another spewing out exhaust fumes. The Japanese serow started walking back slowly. It stared over here for a while one last time as if it was trying to tell something, and plodded back on the snow, up into the mountain.

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